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Emotional Dissonance 2024 – 2026

Movement I · 7 works

Proximity

Two bodies at close range. Weight shared, and the small failures inside that sharing.

All 7 works in Proximity →

Movement II · 7 works

The Measure Between

Distance as a material. Balance, asymmetry, and the thin line that still connects.

All 7 works in The Measure Between →

Movement III · 4 works

Trust and Its Opposite

What is offered, what is concealed, and the vulnerability that both require.

All 4 works in Trust and Its Opposite →

Movement IV · 6 works

Substitutes for Company

The animal, the walk, the open sky. Solitude furnished with something to hold.

All 6 works in Substitutes for Company →

Movement V · 6 works

The Wider Contract

The crowd, the market, the altar. Relationships arranged by systems rather than by people.

All 6 works in The Wider Contract →

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In motion

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The series

Emotional Dissonance

When I stood a clear mirror before you,
you gazed into me, and saw your image.
Then you said, ‘I love you.’
But in truth you loved yourself in me.

Kahlil Gibran, Sand and Foam, 1926

I agree with Gibran. And I add one thing: the first relationship is the one with yourself. Everything else comes through it. If you don’t know the one who is looking, you will love the mirror and call it another person.

What are we? A gathering of emotions and experiences. That’s it. We can’t step out of them. We try to stand in someone else’s shoes, and it is still our perspective, in their shoes.

This series lives in the space between. Between two lovers. Between a people and the power that arranges their lives. Between a believer and the answer. The gesture is only the skin. I go under it: the fear, the need, the small lie, the second of trust.

I chose the material on purpose. Stainless steel: the same inside and out, nothing to hide. It resists. It stays. Like those who truly love this country, who resist everything, and stay.

The granite is recycled, and not only for the earth. It is permanence, rebirth, rebuilding: a stone that was something else, beginning again. One is bright, one is dark, and each answers the other.

I don’t judge. I don’t explain a sculpture first. Look, and tell me what you see.

— Elio Y. Haddad, Beirut, 2024–2026

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Beyond sculpture

A practice across media.

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Sculptor · NLP practitioner · Hypnotherapist

Before a sculpture is a form, it is a question about how people perceive, speak and relate. Elio is also a certified NLP practitioner and a certified hypnotherapist, and that second discipline gives the work its depth.

How the two practices meet →

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For galleries, curators & collectors

Catalogue, availability and studio visits.

The complete series is documented in a 37-page catalogue with dimensions for every work. Write for availability, a price list, loans or a visit to the Beirut studio.